User: Alejandro Jodorowsky
Date posted: Mon, 26 Jun 2017 11:33:05 GMT
¿YO, ALEJANDRO JODOROWSKY, DURANTE LA FILMACIÓN DE UNA ESCENA DE “EL TOPO” VIOLÉ A UNA ACTRIZ?
Es cierto que cuando el río suena, piedras trae. Veamos primero el río y luego las piedras. Es decir, primero veamos si realmente hubo esa fechoría y segundo aclaremos la fuente de información que impulsa al grupo o al inquisidor individuo que se autodenomina CULTURA COLECTIVA a castigarme con un escándalo público.
Vemos en “El Topo”, en un desierto plano donde no se observa ...
DID I, ALEJANDRO JODOROWSKY, DURING THE SHOOTING OF A SCENE OF "THE MOUSE" RAPED AN ACTRESS?
It is true that when the river sounds, it brings stones. Let's see the river first and then the stones. That is, first let's see if there really was that crime and second clarify the source of information that drives the group or individual inquisitor who calls itself COLLECTIVE CULTURE to punish me with a public scandal.
We see in "El Topo", in a flat desert where no vegetable is observed, two human beings, an innocent woman and a kind of mystical bandit who proceeds to rape her... It's not a pornographic film, no intestines or organs are displayed, the coito is insinuated in such a way that the film, already cultured, can be seen by children.
Collective Culture, confuses a film sequence with reality. Filming a scene like this is not done with a photographer, two actors and an extension of sand. Cinema is the most expensive art because a lot of technicians and artists work to perform it. First of all, a group of cleaners is needed to rake about a hundred square meters of desert because dangerous snakes and spiders are hidden in the sand. They stay during the shoot ready to intervene. There's a group of makeup artists, hairstylists and fashion designers in charge of clothing. When the Mole trashes the lady's dress, it's a 10 second shot. Then comes another take, the same tear from a different viewpoint. Filming stops for half an hour for the technicians to change positions of the spotlights. That is, to film an action that lasts no more than three minutes, it takes several hours. There is no photographer, there are two cameras each operated by a photographer, plus five assistants: 10 people in total. To them are added the workers who place the rails where the camera slides, handle the counterweights of a crane, hold silver cardboard so that each face has a good light. Then there's the director, assistant director, stage crew, the other actors, etc.. A huge group that spectators don't see. This should be added to people holding individual umbrellas that protect actors and technicians from the sun. There are other people distributing water and foods.... Etc. HOW COULD I, IN FRONT OF SUCH AN ASSEMBLY RAPE THE ACTRESS IMPUNATELY?.
At the smallest hideout of royal violence, a group of men and women would throw themselves on me to immobilize me; the actress would defend herself, howl, scratch, create a public scandal and I, vile satire, would end up persecuted, judged and imprisoned.
That's the river that CREATIVE UNCONSCIOUSNESS tries to swallow internet users to enjoy free advertising.
Now where did they find the news of this rape posted that may have occurred in 1959?
It is quite possible that you have read some of the interviews I did in the US or England. I filmed "The Mole" outside of any industrial attempt. When I told Cinematograía Mexicana that I would travel to New York to sell El Topo, they made fun of me. "You're crazy, only the Indian Fernandez managed to screen a film and that's why we erected a statue of him." No Mexican film ever went through the wall of nopales" In that cinematic North American atmosphere Mexican cinema was despised. It was all dominated by the gigantic Hollywood.
I had to make my way through using the near zero average I had: an attack with outrageous statements. So I did it: I dressed up as the Mystic Bandit character. I showed up for interviews with a beard, mane, leather suit black and said things to surprise interviewers. "I am anti-feminist, I hate women, I hate cats, I ate huma carne tacos with Diego Rivera, El Topo was a filming where things really happened: That rape scene is a real rape! Animals (which I had bought dead in a zoo tetric in the region) that have seen dead I killed them with fork that I sharpened myself" These aggressive, but humorous statements, conquered me the audience of young people who were cont to the Government affected by the Vietnam War,... And that's how I managed to get "The Mole" to be seen and, thanks to John Lennon and Yoko Ono, who declared themselves ardent fans, my film became cult and to this day, over half a century has passed, it's still on display.
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