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en refined over the past few decades by Lippold Haken, and includes an on-board synthesizer called the EaganMatrix - created by musician and sound designer Edmund Eagan. This review goes in depth into why the Continuum stands out as a unique instrument and the various ways it can be played. I also explain in detail how its internal synth is designed around using the surface gestures to impact sound design. The EaganMatrix contains synthesis engines far beyond traditional subtractive and FM synths, and also includes various physical modeling and additive capabilities. Presets using those various engines are shown. Want to support the channel - and get ALL my tips in one convenient place including those to come in the future? Check out my In-Complete Book of Electronic Music Ideas, Tips and Tricks (hint: it's in-complete because it's always being updated…): ► Patreon: https://patreon.com/loopop Other places I hang out: ► Web: https://loopopmusic.com ► Facebook: https://www.facebook.com/loopopmusic ► Instagram: https://www.instagram.com/loopopmusic ► Twitter: http://www.twitter.com/loopopmusic Want to email me personally? ► Ziv (at) loopopmusic.com NOTE: Occasionally I’ll try out affiliate marketing and include affiliate links. This means that I may earn a commission when you click on or make purchases via affiliate links. The content of this clip is entirely my opinion, and was not paid for or dictated in any what by the company creating the gear. Without addressing the particulars of products shown here as they might be under NDA, gear shown on this channel may be either sent by the manufacturer, on loan for review or bought at a discount.