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s' Eclair NPR camera (16mm) and George S. Barnes' Mitchell No. 5 camera built in 1922 (35mm). - Roger Deakins, ASC is a two time Academy Award winner and 15 time nominee for Best Cinematography. - George S. Barnes, ASC, Academy Award winner for his work on Hitchcock's Rebecca, is an eight time nominee for Best Cinematography. - The lenses used on the Eclair NPR were the Kinoptik lenses used on Black Stallion, a film shot by Caleb Deschanel, ASC. - The Mitchell No. 5 is a hand crank camera used in many silent era films including the early work of Chaplin and Pickford. Follow Aly & AJ: Instagram: https://instagram.com/alyandaj Twitter: https://twitter.com/alyandaj Facebook: https://facebook.com/alyandaj Website: https://alyandaj.com Spotify: https://open.spotify.com/artist/5wugb0kaq0J6nyQ5Xgd17i YouTube: https://www.youtube.com/channel/UCC74ALumghkHDPIfrIF_Uiw Shop: https://shop.alyandaj.com Lyrics: Every night We walk the line Every time We step out of the shadows People pass by Always onto the next With a dead heart Yea, they’re full of regret They got sad eyes Empty promises (We don’t need 'em) We don’t stop Until mascara's on the dance floor We say no Joan of Arc is on the dance floor At the stake We don’t fight the flames Are you born in vain If you die a savior People pass by Always onto the next With a dead heart Yea, they’re full of regret They got sad eyes Empty promises We don’t stop Until mascara's on the dance floor We say no Joan of Arc is on the dance floor Knights in armor hide under eyeliner Lights are low the night will take us higher Higher We don’t stop We say no We don’t stop Until mascara's on the dance floor We say no Joan of Arc is on the dance floor Knights in armor hide under eyeliner Lights are low the night will take us higher #AlyandAJ #JoanofArcontheDanceFloor Joan of Arc on the Dance Floor (Official Video) by Aly & AJ Copyright (C) 2020 Aly & AJ Music, LLC. http://vevo.ly/rOiYa9