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ciplines as an artist, curator, critic, policy maker and cultural administrator has led to institution-building, cultural planning and addressing racial equity across Canada. A leading spokesperson and advocate for the visual arts, she worked on arts policy, intellectual property rights and art in a digital ecosystem at the Department of Canadian Heritage. She strengthened the Media Arts program at the Canada Council for the Arts, and developed artist-scientist research partnerships. She also expanded awareness around issues of race and gender to ensure equitable funding for artists and art organizations. Through her work at the Vancouver Arts Initiative and as the inaugural Director of the Cultural Division at the City of Mississauga, she contributed to the pioneering cultural planning in these cities. She has also contributed to international instruments of culture such as Status of the Artist and Cultural Diversity. Her leadership has been critical to the success of many artists and organizations. She led In Visible Colours, a critically acclaimed international film and video festival and symposium in Vancouver that foregrounded the practice of Third World women and women of colour (1988-1990). Her work on the British Columbia Arts Board led to the British Columbia Arts Act and the formation of the British Columbia Arts Council. Following the failure of the Meech Lake Accord, she was appointed as official moderator for the Citizen’s Forum for Canada’s Future, also known as the Spicer Commission. Working in Canada, and internationally, she has advocated for issues of artist rights, ‘art in digital culture,’ racial and gender equity. With the global pandemic, Verjee has continued her four decades of arts leadership by lobbying for federal and provincial benefit programs to extend to the visual arts. Before COVID-19, she recognized the changes that digitization is bringing to the arts world, and began a three-year initiative to support public art gallery sector in developing data literacy.”